“Music is, to all practical intents and purposes, infinite-so there will always be new things to discover, as well as new music being made every day, so I can’t see my enthusiasm for it waning,” Higgs said later, as he showed me an Arthur Russell record with art by Albert Oehlen. He used to go to live music more but realized over the years he was standing further and further from the stage, adding, “I think a lot of the music I gravitate to isn’t meant to be seen live.” “You can buy extraordinary things for relatively little,” he said. Records are undervalued, in Higg’s estimation. “The democratic aspect of it is also partly why it remains interesting as a way for artists to circulate ideas.” He mentioned as examples artists Jeremy Deller, Martin Creed, and Darren Bader, who recently offered records at his show at Sadie Coles HQ in London. “One of the great things about recorded music is that it’s so extraordinarily accessible,” Higgs said. As a teenager, he started a music fanzine called Photophobia and in the 1990s, when he ran his influential mail art project Imprint 93, some artists he worked with produced cassettes. At White Columns he started a label called The Sound of White Columns, releasing records by Tussle, Billy Childish, and others. Music has been a constant in Higgs’s long career. “It’s maybe the greatest dance record store of all time!” he told me. His all-time-favorite is Vinyl Mania, the now-defunct shop on Carmine Street in New York, which he says is sorely missed by collectors. The number of quality record shops is dwindling everywhere, but he named New York’s A1 and Academy Records and London’s Phonica Records as a few of his current favorites. When I visited Higgs in early June, the legendary record store Other Music on Fourth Street in Manhattan was to close in a few weeks. “I’ve probably owned five different copies of it over the following 35 years, replacing them as they got worn out.” “I bought my first copy in 1980 when I was 15,” he said. Higgs is known for DJing friend’s parties, and he thinks the record he’s played the most is The Return of the Durutti Column by the Durutti Column. One of his most valuable records-a rare original pressing of Stephen Encinas’s “Disco Illusion” on the Kalinda label-was a gift from artist Peter Doig. His holdings spans genres and price points. For Higgs, “curating and collecting have a lot of things in common: researching, finding, contextualizing, and sharing with audiences.” “The rest are either in my office, storage, or back in the U.K,” says Higgs, the West Yorkshire, U.K.-born director and chief curator of the New York alternative space White Columns. They're helping companies tackle skills mismatches by building an alliance of game-changers across the globe to create systemic change in the way dyslexia is regarded.Matthew Higgs’s collection of records numbers about 7,500, about 5,000 of which are neatly organized in his Chelsea apartment. They are the world’s largest community of dyslexic people and allies, whose mission is to help every teacher and workplace to spot, support and empower every dyslexic mind. I am exceptionally proud of Randstad's new partnership with Made By Dyslexia. In a world where digitization is accelerating, the abilities dyslexic talent can bring to the workforce may prove pivotal in achieving business goals and staying competitive now and in the future. In fact, many dyslexics' thinking skills align closely with the top skills of the future as identified by the World Economic Forum – creativity, empathy, problem-solving and communication skills. Removing barriers to their participation can allow companies to access a huge number of brilliant candidates. And with as many as 1 in 5 people influenced by dyslexia, the size of this talent pool is unmatched. One often overlooked group is the #dyslexic community. By empowering talent from all backgrounds, organizations can build a sense of belonging among colleagues, that in turn fosters success. In a time of talent scarcity and skills shortages, creating an #inclusive working environment can allow everyone to reach their potential.
0 Comments
Leave a Reply. |